Amy Kurzweil on the value of creative process

What’s left when the draft is gone?

A visual essay by Amy Kurzweil about what remains when every draft can be regenerated.

Amy Kurzweil is a cartoonist for The New Yorker and author. Her books include Flying Couch: A Graphic Memoir and Artificial: A Love Story, which chronicles her efforts with her father to build a chatbot based on her grandfather’s writings.

A black-and-white comic shows a woman struggling with creative block at her desk, surrounded by sketches and tools. She worries about starting on a blank page, then gradually fills it with drawings, overcoming her fear.

A woman with curly hair appears in a double exposure effect; one image shows her seated and looking at the camera, while another shows her drawing on a large sheet of paper. Both are overlaid with a red tint.

The image shows the name "Amy Kurzweil" written in a gray, handwritten-style font on a light gray background.

A black circular maze on a white background is overlaid with rough, red crayon scribbles, creating a chaotic contrast between the structured lines and the erratic marks.

What children can do that AI can’t

Psychologist Alison Gopnik tells three stories about intelligence — a golem, a pot of stone soup, and a digital child — to explain what AI still can’t do.

Alison Gopnik, psychologist

Abstract design with geometric patterns in white and coral orange. The image is divided into four sections, each featuring different dot, line, and wave textures, creating a modern, graphic look.

AI and democracy: the right to resist optimization

Taiwan’s cyber-ambassador Audrey Tang on why the real danger of AI isn’t that machines imitate humans, but that humans adapt to machines.

Audrey Tang, Cyber ambassador

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